Applied Acoustics Systems today announced the release of Objeq Delay, an all-new effect processor. Objeq Delay is a creative effect plug-in combining acoustic filtering with a clever delay unit. The plate, beam, drumhead, and string objects impart evocative acoustic resonances to the input signal. The release of Objeq Delay sees you moving into ‘modelling as an effect’. What new challenges were presented when making it, compared with your background of creating instruments? “This is indeed the first effect in our product line. We have always had, however, standard effect modules in our different synths.

As previously mentioned the Objeq Delay uses “object” based models to filter the dry input signal as an acoustic resonance filter to change the tone and timbre of the delay effect. Izotope serial number free. This puts Objeq in it’s own, unique category. Within the Object Section you can control Frequency, Decay, Material; how the decay effects the lower or higher partials of the fundamental and Formant; emphasis on a specific band of frequencies. This effect can be use in subtle form or wildly making the most mundane sounds an experiment in sound design. I would also like to highlight some of the other sections which are more than worth an honorable mention. Oh yeah, and the delay section in the plug-in is pretty spectacular as well!

The Objeq is a true stereo delay providing 2 channels (Left+Right). Each channel has two delay lines which can be set to their own value or work in tandem in order to create unique rhythmic effects. The first line provides a simple delay while the second works as a feedback loop for echoes ranging from subtle to infinite.

Both lines feed into a 6db -/+ (high cut/low cut filter). There are also options for host sync, ping-pong, ghost notes and comb filtering to name a few.