Backbreaker Pc Editor For Fcb1010

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Behringer FCB1010 MIDI PC Editor Utility is a program developed by Mountain Systems. A scheduled task is added to Windows Task Scheduler in order to launch the program at various scheduled times (the schedule varies depending on the version). The software is designed to connect to the Internet and adds a Windows Firewall exception in order to do so without being interfered with. The main program executable is FCB1010.exe.

The software installer includes 2 files and is usually about 881.58 KB (902,741 bytes). In comparison to the total number of users, most PCs are running the OS Windows 7 (SP1) as well as Windows 10. While about 55% of users of Behringer FCB1010 MIDI PC Editor Utility come from the United States, it is also popular in Germany and France.Program details.

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FL Studio 11 is a complete software music production environment or DAW (Digital Audio Workstation) representing more than 14 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FL Studio 11 is the fastest way from your brain to your speakers. Notable New Features • FL Studio 64 Bit features – Access up to 512 GB memory, depending on your. – 32 Bit bridged and 64 Bit native VST plugin support. – Project compatibility between 32 and 64 Bit versions.

The FCB1010 (from Behringer) is a great product at a great price to begin with, but when you add the Eureka firmware it's like lighting the afterburners. My FCB is connected to my Eleven Rack. The Eureka firmware operating in Eleven Rack mode just totally nails this configuration. It does everything I expected, and more. I think the Behringer FCB1010 with UnO Eprom is the best footcontroller price/quality you can get. Unfortunaly Unfortunaly there's one BIG problem, it's very hard to program (even with software).

– FL Studio available as a 64 Bit VST plugin for use in 64 Bit VST hosts. • Performance mode – Trigger Playlist Clips live using a mouse, touch screen, typing keyboard or MIDI controller. Supports APC20/40, Launchpad, Lemur, Block, Maschine/Mikro, padKONTROL, QuNeo, Traktor Kontrol (and more). • Multi-touch support – FL Studio and some plugins now respond to Multi-touch with Microsoft gesture functions supported. • Playlist – 199 Playlist tracks, increased from 99. • Linking includes MIDI input port – Links now remember the MIDI input port used to avoid conflict between controllers.

• Playlist & Piano roll – Horizontal & vertical movement locking. Shift is horizontal lock & Ctrl is vertical lock when dragging items. • Piano roll – Glue notes, Mouse wheel velocity, Monophonic step entry mode & Chop chords tool. • Right-click data entry – Most controls now allow a Right-click option to type in values. • Plugin Picker – Right-click to open a plugin and its presets in the Browser. Start typing plugin names to highlight entries. • Mixer – Page Up/Down keyboard keys cycle through the current mixer track’s plugin windows.

• Options – Play truncated notes in clips restores notes overlapping slice points in Pattern Clips. Click and hold functions. GUI animation level now selectable from sober to entertaining.

It may take some time to pick, download, and test, but the free sounds are worth the effort. Virtual Studio Technology (VST) are virtual instruments that add additional sounds to popular music production software like FL Studio, Pro Tools, Ableton Live, ACID Pro, Reaper, Steinberg Cubase, and more.

• BassDrum – Deep Kick-Bass percussion synthesizer with sample layering. BassDrum was developed due to strong and loud customer demand for punchy kicks with a big bottom end. Our solution was to take a hybrid synthesis/sample route to provide unlimited customization for the perfect kick sound. • GMS (Groove Machine Synth) – Multi-timbral hybrid synthesizer & FX channel lifted from Groove Machine.

Another plugin by popular demand. • Effector – 12 performance oriented effects: Distortion, Lo-Fi bit reduction, Flanging, Phasing, Filter (low/high pass), Delay, Reverb, Stereo panning & binaural effect, Gating, Granulizer, Vocal formant and Ring modulation effects. Effector was introduced to compliment Performance Mode and is perfect for use with multi-touch displays & controllers. • Patcher – Introduced with FL Studio 10 to provide a means of saving and recalling commonly used effects and plugin chains.

It’s in the new section as, aside from being overhauled with animated connections and a fresh interface, patcher has gained two, of many more to come, Voice Effects (VFX). • VFX Key Mapper – Allows note inputs, live or from the Piano roll, to be transposed, keychanged, chorded or creatively remapped. • VFX Color Mapper – Leverages FL Studio’s 16 Piano roll note colors that have traditionally mapped to MIDI channels. Now inside Patcher note colors can control 16 independent generators/instruments or groups of generators Get Demo Test all features & plugins for free.

MiniSynth is available for both FL Studio Mobile and FL Studio for PC, sharing identical program code. MiniSynth, great sounds made simple. MiniSynth has a low processor overhead designed with mobile CPU constraints in mind. That doesn’t mean MiniSynth is lacking in capability tho, just check the audio demos on this page. With 6 tabs, each holding just a few chunky controls, it’s perfect when working with a touch interface and keeps everything clearly laid out for new users learning subtractive synthesis.

MiniSynth is included FREE with FL Studio (11.0.5 upwards) and is used when converting FL Studio Mobile projects to FL Studio format (FL Studio 11.0.5 not yet released). Even if you don’t use FL Studio Mobile, you will find MiniSynth a great addition to your library. Introducing a powerful additive / subtractive synthesizer, image synthesizer as well as audio resynthesizer, Harmor. Additive / subtractive Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine. Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. You don’t just select filter types, you draw them. You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts.

Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently. Processing units can be rearranged in a semi-modular way. If you need one of the 2 filter units processed after the blur unit, that’s no problem. Audio resynthesis Being an additive synthesizer, Harmor can resynthesize audio files as well. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers.

Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.And of course, the result of the analysis can still be turned into an image for further editing. Efficient Additive synthesis is generally very CPU-consuming, but not Harmor’s engine. Its efficency is in fact, comparable to that of subtractive synthesizers. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Processing being multi-threaded, extra CPU cores come in handy. System requirements 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM.

30Mb free disc space. DirectSound or ASIO compatible soundcard. Resynthesis or image-synthesis, Harmor features both. Import a piece of audio and time-stretch or pitch-shift it (with formant and transient preservation). Convert this to an image and edit each partial individually! Two parts Two independent parts (or “layers”) for even more complex sounds. Parts can be imported from other presets.

SFX In the effects section you will meet all the usual suspects: distortion, chorus, delay and reverb, as well as the mighty Soundgoodizer based on the Maximus engine. Just like processing units, effect slots can be re-ordered. Each part has its own effect mix amount.

Looks pretty If you don’t understand it, visualize what it’s doing, best way to learn! Watch how each partial evolves in the built-in spectrogram, a picture is worth a thousand words. Opens all your sounds It loads and edits most of the existing sound formats³ out there (WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24, ) and it can even sample your existing VSTi instruments. DirectWave Player is now included for free in all versions of FL Studio Attention: in the FL Studio demo you can switch between DirectWave Player and DirectWave full to test the program.

System requirements 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM. 30Mb free disc space. DirectSound or ASIO compatible soundcard. Technical Specifications: 16 part multitimbral, 32-bit VSTi sampler 128 Voice Polyphony 128 programs unlimited zones per program All samplerates supported Realtime SINC-64 point interpolation (HQ Audiophile) Poly, Mono, Legato operation, with glide / auto mode. 2*24 dB 5 mode filters serial or parallel Flexible 16 slot freely assignable Modulation Matrix 2 mod.

ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs Automatable loop points, reverse loop points supported Loop modes: fwd, one-shot, sustained, bounce looping Automatable sample start offset (available as mod.

Destination parameters) Built-in voice Insert FX with independent settings for each zone: ring mod. Samplerate decimator, bitcrusher & phaser. Built-in send effects: chorus, reverb, delay (with filtered feedback, sync to host tempo). The Drumaxx percussion modelling instrument gives you total control over 16 physically modelled drum pads that can be routed to independent outputs for external effects processing. More than just drum samples. Great, but why should you care when the internet is awash with drum samples? In two words, expressive control.

Once a drum sound is recorded, the performance and modulation options are limited to filtering, volume, or similar 1-dimensional effects. When a single drum sample is triggered in a roll, you get the familiar ‘machine-gun’ effect and it just sounds mechanical. Multi-sampled, multi-layered drums can overcome this limitation but need multi-megabyte or even Gigabyte! Drum libraries. Even then, you are still limited to the sounds originally recorded. Modelling algorithms for better sounds Drumaxx is not based on samples or even commonly used ‘synthesis’ techniques, where oscillators are mixed and the result is always ‘electronic’.

Drumaxx uses modelling algorithms to create bass drums, hi-hats, snares, realistic and electronic sounds too. But what about the traditional ‘Achilles’ heel’ of synthesis, cymbals? Drumaxx creates cymbals and metallic percussion also. System requirements PC: Windows 7, Vista, XP (SP2) – (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM.

30Mb free disc space. DirectSound or ASIO compatible soundcard. Mac: OSX v10.4 (Universal Binary) G4 1.5 GHz or Intel Core Duo family. 30Mb free disc space. CoreAudio drivers.

Good physics stuff included At the core of Drumaxx is a model where the vibrating membrane is represented as a mesh of interconnected points. Each point is given physical properties including mass, inertia, stiffness, damping, and all that good physics stuff. For the musician, this means Drumaxx gives you control over multiple parameters such as material, thickness, tension and shape. More importantly, the parameters can be modulated in real-time as a function of velocity or external controls.

The drum body is also under user control too, including body material, size, vibration damping, and shape. All this gives you multi-dimensional performance options, a Matrix of variables providing nearly infinite possibilities. Key features: 16 Physically modelled drum pads Multi-output for individual effects processing on each pad Huge range of modelling possibilities covering sounds from cymbals to kettle-drums Velocity modulation matrix for detailed expressiveness Integrated Stepsequencer with trigger-key playback Integrated effects Single-pad version ‘Drumpad’ available for tight integration with FL Studio Content: 130 drumkits 900 drum patches 200 drum patterns.

Made by DJ’s for DJ’s. DJ mixing application In developing Deckadance, we didn’t just bring in some consulting DJs to tell our software engineers what they wanted. Deckadance was written by DJs for DJs, so we are confident that it will take your DJing to the next level.

Of course, if you suck as a DJ, you will still suck using Deckadance, but you will suck better, faster, harder and more creatively than ever before VST hosting Support third-party VST • 8 slot VST host • Host third-party VST plugins • Host VST effects / instruments • Unlimited VST flexibility and expandability System requirements PC: Windows 7, Vista, XP (SP2) Intel PIII 1 GHz or Althon XP 1.4 GHz. 200MB free hard disc space. DirectSound or ASIO compatible soundcard. Mac: OSX v10.4 (Universal Binary) G4 1.5 GHz or Intel Core Duo family. 200MB free hard disc space. CoreAudio drivers.

General: A decent graphic card will make Deckadance a lot more enjoyable. Minimum horizontal resolution of 1024 pixels. Deckadance version 1.94 Download Windows (XP & Vista) demo.

Download Mac OSX demo. Download the Getting Started Manual. You may need to right-click & use ‘Save as’ if you have Acrobat installed in your browser. English GSM in PDF ( – ) in Word () German GSM in PDF ( – ) in Word () Spanish GSM in PDF ( – ) in Word () Italian GSM in PDF ( – ) in Word () French GSM in PDF ( – ) in Word () Portugese GSM in PDF ( – ) in Word () Dutch GSM in PDF ( – ) in Word () Japanese GSM in PDF ( – ) in Word (). Vocodex is simply one of the best sounding vocoders on the market today. Try the demo and hear why Vocodex is the last word in vocoding.

‘By your command’ and beyond What is Vocoding? You have heard vocoding many times, even if you don’t know what it is. Vocoders are the classic robot voice from many sci-fi movies. Vocoders analyze the real-time frequency band activity of one sound, the Modulator, to control frequency band activity in another, the Carrier. A vocoder consists of a series of narrow-band frequency gates that allow through only those frequencies from the Carrier that are detected in the Modulator source.

So if a human voice is used to vocode a synthesizer chord, it will sound like the synthesizer is talking. Check the demo tracks above. System requirements Windows XP/Vista/7 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512 Mb RAM 130 Mb disk space Key features: Speech enhancement contouring of noise or modulator pass-through. Modulator noise reduction to reduce ambient noise bleeding through carrier. Voice doubling and reverb capabilities. Built-in Soundgoodizer for limiting and warm output.

Up to 100 bands individually locatable anywhere in the spectrum. Band unison to create a fat & lush sound. Sidechain carrier & or modulator input. Inbuilt carrier synthesizer powered by Sytrus. & more per-band effects to discover.

Ever wanted to synthesize a sound but found it was impossible? With Morphine, no sound is too painful to recreate. Morphine is indeed a powerful pain killer! A Small Revolution Morphine is a powerful Additive Synthesizer with a logical, flexible architecture that allows you to create any sound. You can do this directly by adjusting harmonics manually or by taking any input sample and resynthesizing it into one of 4 independent voices.

Additive Synthesis has been considered one of the most desirable ways to emulate real instruments or to create new sounds. However, Additive Synthesis has proved both technically and conceptually difficult to implement, requiring expensive computational algorithms and hardware. Inside Morphine So what makes Morphine a revolution? We’ll tell you.

Morphine’s 128 harmonic oscillator engine is fully optimized for producing a high quality, warm sound, with ground shaking bass and crystal clear high frequencies. Blues Improvisation Complete Free Download more. Based on complex, full 32 bit mathematics, with no internal sampling to avoid interpolation noises so Morphine retains that ‘analog’ quality.

The oscillators are also optimized for fast amplitude and frequency modulation response for accurate tone reproduction. The oscillator engine is not only thing that makes Morphine sound so great. With an infinite number of harmonic snapshots ‘per-spectrum’, and the ability to map a unique spectra for each note, you can generate a realistic and balanced sound over the entire keyboard range. Additionally, the four generator sourcescan be morphed via the in-built mix/morph envelope or from an external MIDI controller. Combined with the four independent multipoint modulation envelopes, assignable to many internal parameters, you can achieve any sound, just like you imagined it. As an ‘Easter-egg’ for the sound designers among you, Morphine provides unison and comb/pulse width filter modulation of the harmonics directly, adding even more motion to the sound. System requirements PC: Windows 7, Vista, XP (SP2) – (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM.

Warmrite floor manual. 100Mb free disc space. DirectSound or ASIO compatible soundcard. Mac: OSX v10.4 (Universal Binary) G4 1.5 GHz or Intel Core Duo family.

100Mb free disc space. CoreAudio drivers. Sonic Flavor You’re a talented musician, full of great ideas, but you’re still skeptical, right? So, what sounds can Morphine really make?

Complex evolving pads, deep basses, acoustic instruments, synthetic leads and keyboards are all possible using the advanced resynthesis features and intuitive interface. However, musical creativity doesn’t guarantee you care about making your own sounds from scratch. Good news here too, Morphine ships with 290 high-quality presets covering a vast range of music styles.

But, you don’t have to take our word for it, download the demo and let your own ears be the judge. Key features: High quality sound engine optimized for low CPU usage and fast amplitude and frequency modulation response. 4 independent “ Generators” per voice Keyboard layering with 128 unique Keyboard Zones. Unlimited number of harmonic “ snapshots” (breakpoints) per spectrum. Amplitude, Detune, Panning control for all harmonics.

Filtering and Velocity response for each Generator source. Highly CPU optimized, accurate Resynthesis allowing emulation of audio samples with high precision. Manual override options for the resynthesis process to achieve most accurate emulations. Ability to import waveshapes from audio file. Variable-time control for spectra, mix/morph envelopes (can also be linked to key number, velocity or any other controller).

4 PWM Filters (spectral emulation of comb filtering, unison or pulse-width) Additional generator that allows any Noise Sample audio file to be mixed with the synthesized sound, complete with filtering. Morphing path, morphs harmonics in real-time, controlled internally or from external modulation source/s.

Morphing Square, mixes the 4 Generator sources with a single convenient interface. 4 multipoint (EG) envelopes can be routed to many internal Morphine controls 1 to 32 note polyphony, user selectable. ADSR master envelope Velocity response is adjustable. Up to 5 built-in simultaneous effects: Chorus, Delay, Reverb, Equalizer, Distortion. Attractive, user friendly interface, developed through 1000’s of man-hours testing and development.

12.5.0.59 / August 5, 2017; 4 months ago ( 2017-08-05) Development status Active, stable and beta version Written in, cross-platform Available in English, Dutch Website FL Studio (formerly known as FruityLoops) is a (DAW) developed by the company. FL Studio features a based on a pattern-based. The program is available in three different editions for, including Fruity Edition, Producer Edition, and the Signature Bundle. Image-Line offers lifetime free updates to the program, which means customers receive all future updates of the software for free. Image-Line also develops for, and devices.

FL Studio can also be used as a in other audio workstation programs and also functions as a client. Image-Line also offers other VST instruments and audio applications. FL Studio is used by hip hop and and such as,., and, among many others. Contents • • • • • • • • • • • • • • • History [ ] The first version of FruityLoops (1.0.0) was developed by Didier Dambrin for Image-Line and was partially released in December 1997. Its official launch was in early 1998, when it was still a four-channel. Dambrin became Chief Software Architect for the program, and it quickly underwent a series of large upgrades that made it into a popular and complex.

FL Studio has undergone twelve major updates since its inception. As of June 2015, a macOS-compatible version of FL Studio was released in its alpha stage. It is currently only available to registered FL Studio users. Software overview [ ] Editions [ ] • FL Studio Express (discontinued after version 10) – This version allows for -only editing and is chiefly suited for 64-step creation.

Each pattern can consist of an unlimited number of instruments—either samples, native, or instruments. Instruments in the pattern can be routed to the Mixer tool for effects processing, and effects as of version 10.0 include Delay, Delay Bank, Equo, Flangus, Love Philter, Vocoder, Parametric EQ & EQ2, Multiband Compressor, Spectroman, Stereo Enhancer, Wave Candy, Wave Shaper, and Soundgoodizer. There is no, playlist ability, automation, audio recording, or VST/ client. • Fruity Edition – The Fruity Edition allows users to access the playlist, and event automation features, which allow for complex and lengthy arranging and sequencing. There is also VST/ReWire support so that FL Studio can be used as an instrument in other hosts such as Cubase, Sonic Solutions, and other software.

As of version 10.0 this edition includes the Simsynth Live instrument, the DrumSynth live percussion synthesizer, the DX10FM synthesizer, and the Wasp/Wasp XT synthesizers. There is no audio recording feature. In FL Studio 12, this was given (spline-based) automation. • Producer Edition – The Producer Edition includes all of the features of the Fruity Edition, as well as full recording for internal and external audio and post-production tools. It allows for hand-drawing point and curve based (referred to as 'Automation Clips'). Plugins include Edison, Slicex (loop slicer and re-arranger), Maximus, Vocodex and Synthmaker.

It also allows for waveform viewing of audio clips and the ability to add cue points. • Signature Bundle – This edition includes the Producer Edition as well as a series of plugins such as the Fruity Video player, DirectWave Sampler, Harmless, NewTone, Pitcher, Gross Beat and the Hardcore Guitar Effects Suite.

• Free Demo – The free demo version includes all of the program's features and most plugins and allows users to render project audio to, and. However, there are several drawbacks to this limitation as projects saved in demo mode will only open fully once FL Studio and plugins have been registered. Also, instrument presets cannot be saved and the audio output of some instruments will cut out momentarily every few minutes until the program and its plugins have been registered. • Mobile – On June 21, 2011, Image-Line released for iOS and in April 2013 for Android.

Both support the ability to create multi-track projects on mobile devices including,., Android 2.3.3 and higher Smart Phones and Tablets. • Groove – On September 2, 2013, A new standalone app for Windows 8 was released. It is a style application optimised for touch-based music creation. System requirements [ ] FL Studio 12 works on ///// ( or versions) or on with. Image-Line is working on a native Mac version of the software, which is currently in early testing stages. FL Studio requires a 2 or with full support. It requires 1 of free disk space and at least 1 GB of is recommended.

FL Studio processes audio using an internal 32-bit engine. It supports up to 192 kHz using either or enabled drivers. Program features [ ] Version 12 is the newest version of FL Studio. It added a new UI design, updated plugins, multi-touch support, a redesigned mixer, improved 32 & 64 bit plugin support and improved file management. Version 11, Introduced in April 2013, included multi-touch support, improved tempo automation, new plugins such as BassDrum, GMS, Effector, Patcher, and new piano roll features (VFX Key Mapper, VFX Color Mapper). Version 10, introduced on March 29, 2011, included a new project browser, fixed some bugs, and smoothed envelope points. It also introduced a patcher.

Version 9 introduced support for effects processing and improved support for multi-core instrument processing. The mixer interface allows for any number of channel configurations. This allows mixing in 2.1, or, as long as the output hardware interface has an equivalent number of outputs. The mixer also supports audio-in, enabling FL Studio to.

FL Studio supports, and editing of audio, and as of version 8 it can record up to 64 simultaneous audio tracks. Other key features include a digital. Audio can be imported or exported as, or the native project format with an.FLP. The demo is very functional, even allowing users to save their compositions for opening in the registered version, and mix their tracks to any of the popular formats.

[ ] Plug-ins [ ] FL Studio comes with a variety of plugins and generators () written in the program’s own native plugin architecture. FL Studio also has support for third-party VST and DirectX plugins. The API has a built in for full VST, VST2, VST3, and ReWire compatibility. Many of the plugins also function independently as standalone programs.

• Dashboard – An included plugin that allows the creation of full automation-enabled interfaces for hardware MIDI devices. This allows FL Studio to control hardware from within the program.

As of version 9.0 it also supports multiple controllers for different generators and effects. • Edison – Edison is a wave-form editor and recording tool in VST format, though Image-Line also produces a stand-alone version that does not require FL Studio to run. It is included in the Producer Edition and allows, loop-recording, and loop-construction, as well as support for cue points. • Fruity Video Player – Included in the Bundle Edition, it allows the composition and synchronization of audio and video. • (often referred to as DD) – a standalone and program that can also be used in conjunction with FL Studio as a plugin.

Initially released in May 2007, it was made available starting with the release of FL Studio 7 as an optional part of the download package. Acquired in 2015 by (Stanton/). • Maximus – Maximus is a multi-band audio and for projects or tracks.

It also serves as a, expander, ducker, and, and is included in the Bundle edition. • Riff Machine – Self-generates melodies in the piano roll using a randomly selected instrument, with parameter controls for shaping melodies. Introduced in version 9.

• Fruity StereoShaper – Stereo processor with a mixer for left and right channels and their inverted equivalents and controls for channel delay and phase offset. Introduced in version 9. Virtual effects [ ] FL Studio is bundled with a variety of, including common audio effects such as, maximization, and limiting. • GrossBeat – A time, pitch, volume, and sidechain manipulation effect. • Hardcore Guitar Effects Suite – A multi-effects suite of plugins designed to resemble guitarists', which works for any instrument.

• Juice Pack – A collection of proprietary plugins ported to VST format for use in other music hosts. The contents of this pack has changed since its release; at the time of this writing it includes the Delay, Delay Bank, EQUO, Flangus, LovePhilter, Multiband Compressor, Notebook, Parametric EQ, Parametric EQ 2, Spectroman, Stereo Enhancer, Vocoder, Wave Candy, and Wave Shaper plugins. • FruityVocoder – A real-time vocoder effect. • Vocodex – An advanced vocoder included in the Producer Edition of version 10. • NewTone – A and time manipulation editor that allows for slicing, correcting, and editing vocals, instrumentals, and other recordings. Introduced as a demo with version 10. • Pitcher – Serves as a real-time pitch correction, manipulation, and tool for creating or correcting 4 voice harmonies under MIDI control from a keyboard or the piano roll.

Introduced as a demo with version 10. • Patcher – Free plugin for chain effects that can then be quickly uploaded in new projects. • ZGameEditor Visualizer – Free visualization effect plugin based on the open source, with movie rendering capability. Samplers [ ] • DirectWave Sampler – A software that provides sample recording, waveform editing, and effects (works for both VST and live instruments). • SliceX – A beat-slicing sampler for processing and re-arranging recorded drumloops, included in the Producer Edition.

Synthesizers [ ] FL Studio is bundled with 32 generator plugins (October 2011). Some are demos. The list includes; • 3XOsc – A generator with three programmable oscillators that subtractively produce bright sound with low memory use.

• Autogun – A synthesizer with no controls and over 4 billion patches accessible by numbers only. The free version of Ogun. • Boo Bass – A monophonic bass guitar emulator. • Buzz Generator Adaptor – A wrapper for a large number of generators from Buzzmachines.com • Drumaxx – A physical modeling synthesizer designed to emulate and create the sound of percussion instruments. • DrumSynth Live – Allows for percussion synthesis.

Included in all Editions. • DX10FM – Recreates a classic FM. Included in Fruity Edition and higher. • FL Slayer – FL Slayer is an simulator originally developed by reFX that is equipped with a high-quality and effects tools to allow for the realistic recreation of hundreds of guitar sounds and. It is a plugin and is included in every version of FL Studio. • Groove Machine – a virtual drum machine • Harmless – Performs subtractive synthesis using an additive synthesis engine. • – Additive / subtractive synth with ability to encode pictures into music and resynthesis.

• Morphine – An additive synthesizer that allows voices to be mixed and morphed under user control. • Ogun – An advanced programmable additive synthesizer chiefly for creating metallic timbres from 32000 harmonic choices.

• PoiZone – A subtractive synthesizer with non-essential control removed for easy navigation. • Sakura – Sakura is a physical modeling synthesizer that is designed to emulate. • Sawer – A vintage modeling synthesizer that attempts to emulate -era subtractive synthesizers. [ ] • SimSynth Live – Modeled after the classic of the 1980s with three oscillators, with a programmable LFO section. Created by David Billen, Frederic Vanmol, and Didier Dambrin. • SynthMaker – FL Studio 8 Producer Edition introduced a version of SynthMaker, a popular graphical programming environment for synthesizers. It allows for the creation and sharing of new instruments without the need to understand programming code.

The first version was released with FL Studio version 4.5.1. The second version of Sytrus (introduced with FL Studio 6) comes with an array of presets covering many types of sounds.

Sytrus uses a combination of, FM synthesis, and, allowing the production of sounds ranging from drum sets to organs. Sytrus provides a large number of adjustments and controls, including shape shifting, editing, a modulator, filters, reverb, delay, unison, and detune. • – A virtual similar to Sytrus, using FM and subtractive synthesis. • TS-404 - a 2-oscillator subtractive synthesizer designed to mimic the transistor bass module.

Removed in FL Studio 12 and replaced with the similar emulator Transistor Bass. • WASP/WASP XT – A 3 oscillator synthesizer created by Richard Hoffman.

• FL Soundfont Player - An FL Studio add-on that gives power to load, play and render soundfonts (.sf2 files) in FL Studio. Version history [ ] Version Release Notes 1.0.0 18 December 1997 program only, never fully released 1.3.56 1 September 1998 Pitch for notes added 1.4.0 16 December 1998 Loops in sample browser, up to 64 notes per pattern, drumkits added, rendering to mono, animation added 1.5.23 3 May 1999 plugin support added, beta version 2.0.1 21 November 1999 Support for DirectX plugins added, redesign, live recording added 2.1.1. 19 January 2000 Now using.mp3 encoder, BeatSlicer engine added, Fruity center plugin added 2.5.1 19 April 2000 Set of FruityPlugins added, including Fruity Reeverb and the 7-band FruityEqualizer 2.7.0 22 July 2000 Fruity Fast LP plugin added 2.7.1 25 September 2000 Fruity Phaser plugin by Smart Electron:x added 3.0.0 25 January 2001 Piano roll and added, typing keyboard to MIDI option added, new layout. DrumSynth upgraded, new plugins include 3x Osc, BeepMap image synth, Fruity PanOMatic, Fruity NoteBook, MIDI out, and others 3.3.0 15 October 2001 Added output, Fruity db meter, multiple MIDI device controller, up to 8 plugins per track, velocity and keyboard tracking to all channels.

New plugins included Fruity Slicer, Fruity Granulizer, and Fruity Big Clock 3.5.4. 19 June 2002 Allowed copy/pasting/saving automation, program available as plugin 4.0.0 5 March 2003 Program name changed from FruityLoops to FL Studio with this release. New playlist, FX window made into mixer, mixer given 64 insert tracks, piano roll improvements, Fruity Slicer upgrade, program now available as plugin 4.1.0 7 April 2003 Free vocoder plugin added 4.5.1 29 December 2003 New plugins included and the Fruity Flangus effect, New ReWire (host & client) support.

5.0.0 22 November 2004 Fruity Slicer upgrade, basic loop recording added, Elastique time-stretching and pitch-shifting in audio tracks, added tempo detector for imported audio tracks. New plugins included Fruity WaveShaper effect and Fruity Pad Controller (FPC). 6.0.1 8 December 2005 FL compiled with, multiple MIDI input devices accepted, Sytrus improvements, new GM for DrumSynth Live. New plugins included Wasp XT synth and DirectWave sampler. 7.0.0 30 January 2007 Programming language switched to Delphi 2006, BeepMap allows drag and drop function, Sytrus upgrades, support for files in sampler channels, support for AIFF extensions, DirectWave support for AIFF. New plugins included Fruity Parametric EQ 2, Edison audio editor and Fruity Love Philter effect.

8.x 8 November 2008 Support for MIDI SysEx input, Love Philter allows piano keys to be assigned to patterns, updated to LAME 3.97, program support and some plugin support for format, added rendering target, default audio device changed to ASIO4ALL, FL-Chan character added in wallpapers, Edison plugin upgrade. New plugins included Slicex drumloop slicing generator, SynthMaker. 9.0.0 9 September 2009 Wave Candy upgraded, support added for nanoKey, nanoPad, and nanoKontrol controllers, new Riff Machine piano-roll tool, Fruity Dance upgrades, upgrade to LAME 3.98.2, Edison upgraded to export to OGG files. New plugins included Ogun (+Autogun) synthesizer, Gross Beat beat re-arranger effect, Vocodex, Sakura string synth, and Fruity Stereo Shaper. 9.1.0 5 May 2010 New Fruity Convolver effect added, export capabilities added to Edison plugin. New plugins included Harmless synthesizer.

9.5.0 7 July 2010 Larger mixer view & waveform metering, individually sizable Playlist tracks, live Playlist marker types, 64 bit plugin support, improved memory management, audio Clips & Sampler Channels Keep on disk option now opens the sample in a separate memory allocation, improved audio options, fully automatic PDC. 9.6.0 30 September 2010 Pitcher correction and harmonization, new piano roll, new zoom control, song loop - replaces 'repeat marker', new make unique, auto PDC, run 64 bit or 32 bit plugins (bridged), reduce FL Studio memory demand, piano roll syncs playlist, new ASIO options and tracking.

9.7.0 22 November 2010 Pitch correction, time stretching, 'New pattern' button, pitcher real-time pitch effects, new piano roll. 9.8.0 19 January 2011 New 'Frozen LFO' option in envelopes, Score export to PDF file from the Piano roll. 9.9.0 28 February 2011 Project picker, ZGameEditor Visualizer. 9.9.7 7 March 2011 Bugfixes updates: (install on top of 9.9 beta). 10.0.0 29 March 2011 New project browser, Patcher plugin, ZGameEditor Visualizer plugin. 10.0.2 19 May 2011 Zge: new version, new scripts, added FL Mobile, new FLEngine, new help file.

10.0.5 21 June 2011 Zge: new version, new scripts, FL mobile add updated, added 'Recording starts playback' option, New 'Gap' knob in PR articulator tool, FL Mobile file import. 10.0.8 5 September 2011 Env editor, smooth point modes in all plugins, new 'Song start' marker type, DirectWave: Import and export FL Mobile.instr files, FPC: Export FL Mobile.instr files. 10.0.9 26 October 2011 Harmor: Mod XYZ smoothing controls filter freq smoothing as well, Synthmaker 2.0.5. 10.5 (beta) 13 April 2012 New performance mode, new graphics for clips in playlist, improved graphics in piano roll, links using MIDI ports, added support, added visual feedback for free controls on the MCU controller, added 'Chop chords' option to piano roll, articulator tools, new downloader / content library, Fruity Squeeze, ZGEViz: new version.

10.6 (beta) 2 July 2012 Partial support for multi-touch monitors in FL & some plugins, added support for nanoKONTROL2, Support for Windows 'app commands,' DirectX plugin scanning removed, added BassDrum synth plugin. 10.8 (beta) 30 September 2012 Fixed filter automation import from.flm file, Soundfont Player fixed, Wrapper fixed, Synthmaker: version 2.0.11, Video player fixed, Patcher fixed, DirectWave fixed, Downloader fixed. 10.9 (beta) 12 December 2012 FPC fixed threading bugs, DirectWave fixed garbage in sample start/end strings, Patcher fixed cpu usage. 10.10 (beta) 28 February 2013 Support for Novation Launchpad S & basic support for Launchkey, VFX Color Mapper plugin (Patcher only), VFX Key Mapper plugin (Patcher only), Gross Beat: Click reduction feature enhanced to 3 states, improved speed of sinc interpolator, Synthmaker updated to Flowstone, Newtone: added warp mode. 11.x 24 April 2013 Image-Line announces through their Facebook page that FL Studio 11 is now available.

Ability to sidechain native and non-native compressors added. [ ] 11.5 (Alpha Preview) 15 April 2014 This is a limited Alpha Edition. It featured a work in progress version of the new vector based GUI. 11.5 (Beta) 16 March 2015 FL Studio 12 Beta 4 is the last beta version of FL Studio 12. New features include the final version of the new GUI, multitouch support, simplified VST plugin installation and the ability to drag multiple files onto the playlist.

12.x 22 April 2015 Image-Line announced that FL Studio 12 was available. It added final touches on plugins, multi-touch support, new mixer, 32 bit (bridged) & 64 bit plugin support and improved file management. Inclusion of a new 'FL Studio ASIO' driver that allows multiple simultaneous desktop audio applications to run such as FL Studio and YouTube. 12.0.2 14 May 2015 Option of bit-size to load plugins in the Wrapper. 12.1.0 (beta) 18 July 2015 Support for importing FLAC files, VFX Key Splitter and Fruity X-Y-Z Controller plugins, Launchpad Pro support, new drum/piano samples, Plugin Scanner re-brand (now Plugin Manager). 12.1.1 (beta) 31 July 2015 Removal of piano samples from previous update (split into 2 new sample packs), Live Mode actions for 10th octave notes in piano roll.

12.1.2 12 August 2015 New and improved Video Player plugin, Launchpad MK2 support. 12.1.3 27 August 2015 Newtone and Plugin Manager bugfixes.

12.1.6 (12.2 beta) 27 November 2015 Vector reskins for the following plugins: BeepMap, BooBass, EQUO, FL Keys, Fruit Kick, Big Clock, dB Meter, Delay 2, Delay Bank, DX 10, Fast Dist, Flangus, Granulizer, LSD, Multiband Compressor, PanOMatic, Parametric EQ, Reeverb 2, Slicer, Soft Clipper, Soundfont Player, Stereo Enhancer, Stereo Shaper, Vocoder, WaveShaper, Plucked! Support for exporting FLAC files, 1650 new drum samples. 12.2 13 December 2015 Vector reskins for DrumSynth Live and X-Y Controller, Various Ogg file bugfixes. 12.2.1 (12.3 beta) 25 March 2016 Real-time audio stretching, options for piano roll style, Plugin Manager GUI update, Vector reskins for Sytrus, Fruity Limiter, Fruity Love Philter, Gross Beat, and Maximus. New Transient Processor plugin, feedback from IL remote controller. 12.2.2 (12.3 beta) 26 April 2016 Incremental scrolling, IL remote feedback improvements. 12.2.3 (12.3 beta) 13 May 2016 Razer Chroma plugin, renamed mono/poly brushes, fixed 'Type in value' for tempo/mixer track selectors.

12.2.4 (12.3 beta) 31 May 2016 ZGameEditor Visualizer updated to version 2, updated Transient Processor, window scaling for FL ReWire. 12.2. Itunes Library Toolkit Keygen there. 5 (12.3 beta) 28 June 2016 Improvements to the 'Align all channel editors' option, IL Remote feedback is now always on, ability to move all windows to visible positions. 12.3 2 August 2016 Vector reskin for Convolver, Razer Chroma updates, new demo projects, ability to disable menu transparency.

12.3.1 Beta 1 9 September 2016 New Transistor Bass plugin, vector reskins for FPC, Harmless, Ogun, Parametric EQ 2, SimSynth, Slicex, and Vocodex. Many FL 64bit bugfixes. 12.3.1 Beta 2 16 September 2016.instr support in the Sample Browser, contrasting text changes, new recording quantize options, loop recording improvements. 12.3.1 RC1 24 September 2016 Removed 'Open in BeatSlicer' option from Fruity Slicer, default bit-rate for rendering to MP3/Ogg is now 192kbit/s. 12.3.1 RC2 7 October 2016 Native Instruments Machine JAM support, bulk rendering command-line options, new Patcher presets, various ZGameEditor Visualizer improvements. 12.3.1 RC3 11 October 2016 Added undo/redo, step seq mode and swing jogwheel mode to Machine JAM, various browser crash bugfixes.

12.3.1 RC4 20 October 2016 Various cosmetic fixes. 12.4 2 November 2016 New FL Studio Mobile plugin, Newtone pitch/warp buttons, ZGameEditor Visualizer improvements including h264 (MP4) and FLAC export. 12.4.1 RC1 8 December 2016 FPC preset load changes, various improvements to Transistor Bass and ZGameEditor Visualizer. 12.4.1 21 December 2016 Transistor Bass warning message on selecting 'Clear', small crash bugfixes. 12.4.2 RC1 24 February 2017 Improved copying of FL error messages, buffer to Saving/Loading projects, progress of loading shown, ZGameEditor Visualizer improvements.

12.4.2 RC2 1 March 2017 Added Control Creator to FL Tools menu and Control Surface popup menu. 12.4.2 21 March 2017 Tempo Tapper mute option is now off by default. 12.5 (beta 3) 28 June 2017 Preview to upcoming 13 version.

Added Picker Panel, new Plugin 'Fruity Delay 3' and more major changes. 12.5 12 July 2017 Picker Panel, quick audio rendering from patterns, customizable Virtual MIDI Controllers, new Automation Clips, FPC - Resizable vectorial UI, 21 other enhancements, and bug fixes. Support [ ] Support for the software is provided through extensive HTML help documents. Users may also register for the official Image-Line forums, which are commonly recognized as a focal point for the FL Studio community. After initially buying the software, all future updates are free for life.

Notable users [ ]. Missing or empty title= () •. From the original on 2011-10-26. Retrieved 2015-12-13.

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September 3, 2014. Retrieved 5 June 2015. • [tigerbeat.com/2016/06/olivia-holt-musical-influences/ tigerbeat.com/2016/06/olivia-holt-musical-influences/] Check url= value ().

Missing or empty title= () • Mar Belle (15 August 2012). No Film School. Retrieved 17 November 2014. Retrieved 2017-10-13. The Nerd At The Cool Table. Retrieved 2013-09-02.

• Ferry, Matt (2013-02-22). Archived from on 2013-03-30. Retrieved 2013-03-17. • O'Connell, Sharon (4 October 2006).. Retrieved 13 June 2007. Retrieved 26 July 2014.

• Jake Paine (December 10, 2007). Retrieved 18 June 2014. 15 November 2010. Retrieved 26 July 2014. Retrieved Aug 6, 2012. December 15, 2016. October 30, 2014.

Retrieved February 7, 2015. Retrieved 1 July 2016. • Cho, Jaeki (February 7, 2013). Retrieved January 6, 2015. My cousin showed me how to use the program, then I just been learning how Fruity Loops and FL Studio. • Tyler Trew.

Retrieved 12 January 2017. • Andrew Aversa. Retrieved 4 March 2015. External links [ ] Wikimedia Commons has media related to.